What Should a Photography Website Include? A Page-by-Page Guide
A page-by-page checklist for UK photographers: home page, galleries, about, pricing, testimonials, booking, blog and legal pages.
Realistic posting frequency for Instagram and Facebook, plus batching, scheduling and what to measure, for UK photographers.
The Limelight Company · 6 min read · Updated
Most working photographers do well posting two to four times a week on Instagram and one to three times a week on Facebook, plus regular Stories. These are sensible starting points, not official rules. Instagram advises posting original content consistently, so pick a rhythm you can keep up for months and adjust it from your own results.
Ask ten photographers how often photographers should post and you’ll get ten answers. Some post every day and end up worn out. Others post in a flurry around wedding season, then disappear for weeks. Neither extreme does much for a business that relies on enquiries coming in all year.
The honest answer? No platform publishes a “right” number of posts for photographers. What follows is advice from working with photographers, built around what you can actually keep going when shoots and editing already fill most of the week and the admin never seems to end.
For most photographers, two to four feed posts or Reels a week is realistic. Add Stories on most working days when you’ve got something worth showing. That’s our suggestion. It isn’t an Instagram rule, and Instagram doesn’t set a target of its own.
What Instagram does say is that creators should post original content consistently. It also points out that you can’t count on reaching the same number of people with every post, and that most followers look at less than half of their Feed. So missing one post won’t sink you. Equally, any single post is rarely seen by everyone who follows you.
| Platform | Realistic starting point | Notes |
|---|---|---|
| Instagram feed and Reels | 2 to 4 a week | Mix portfolio, personality and proof |
| Instagram Stories | A few times a week | Behind the scenes, quick updates, enquiries open |
| Facebook Page | 1 to 3 a week | Galleries, testimonials, local community posts |
For most small businesses Facebook suits a lighter touch, particularly when the audience is local. One to three posts a week is plenty for many photographers. Use the same strongest images and stories you put on Instagram, and tweak the wording for people nearby.
Facebook is handy for sharing full galleries, which wedding guests love to scroll through, and so do the families you photograph. It’s also where you can show up in local groups that welcome posts. Don’t drop it just because Instagram feels more exciting. A tidy Page with recent posts reassures the people who check you out before they enquire.
Yes, for almost every photographer. A rhythm you can hold is worth more than a burst you can’t. Post four times in one week and then nothing for a month, and your profile looks abandoned to anyone who lands on it. You’ll also find it much harder to learn what’s working.
Instagram also says its Feed tries to avoid showing too many posts from the same person in a row. So a burst of posts doesn’t give you the boost you might expect. Spreading posts across the week tends to suit the platform and your audience alike.
Wedding photographers especially tend to vanish from social media between May and September. It’s understandable. A silent profile still looks inactive to anyone who finds you in the middle of the season, though. Plan for it: make and schedule posts in the quieter months, so the feed keeps ticking over while you’re on location every weekend.
Batching just means doing similar jobs together instead of starting from a blank page every time. For busy photographers nothing helps more, and it sits at the centre of any good social media plan for photographers.
For most photographers, yes. Scheduling lets you make content when you’ve got time and publish it when your audience is likely to see it. Meta’s tools and plenty of third-party planners let you queue posts for Facebook and Instagram. Each tool has its own limits on the kinds of content it handles and how far ahead it lets you schedule, so check exactly what yours supports before you go and build a whole plan around it.
A few words of caution. Scheduled posts can feel stale once the news has moved on, so skim the week’s queue now and then. Leave room for spontaneous Stories, which are often your most personal content. And reply to comments and messages as they come in. Don’t let them pile up until your next planning session.
Don’t judge anything on one post. Look at a handful of signals over a month or two and tie them back to what you want, which is enquiries.
Instagram explains that how far Reels travel also depends on things like the reel’s content and popularity. The ranking overview lists the signals it describes. Just remember that the numbers paying your bills are bookings. If you’d like to see where social posting fits in a wider plan, our guide to marketing for photographers is a good place to begin.
If your posting slips every busy season, our social media management for photographers can take it off your plate. We handle the content plan and captions, then the scheduling and publishing on Instagram and Facebook. Before any work begins, we agree a clear brief, scope and fee with you.
Usually, yes, up to a point. A smaller number of well-chosen posts with clear captions, at a pace you can keep up, will do more for you than a daily rush of filler. Aim for the highest frequency you can manage without cutting corners, and let your results steer any changes.
There isn’t one best time. It depends on when your own audience is online. Try a few different slots over several weeks, compare how many saves and enquiries each one brings in, and then stick with the slots that are clearly working for your own audience. Platform insights can show you when your followers are most active.
Not necessarily. If you’re short of time, put most of your effort into the platform where your clients are. For weddings and portraits that’s usually Instagram. Keep your Facebook Page current on a lighter schedule, because lots of people still check it before getting in touch.
Look at what clients ask you. Preparation tips and location guides make good posts, and so does outfit advice. Behind-the-scenes shots and testimonials work well too, as does a recent gallery. One shoot can feed several posts, so you rarely need brand-new material every time.
It varies, and nobody can promise you a timescale. Review your numbers over weeks instead of days. Track enquiries as well as likes. If nothing has changed after a couple of months, change the content or the call to action. Simply posting more won’t fix it.

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