What Should a Photography Website Include? A Page-by-Page Guide
A page-by-page checklist for UK photographers: home page, galleries, about, pricing, testimonials, booking, blog and legal pages.
Google Ads catch people searching now; Facebook and Instagram ads create demand. Learn keywords, budgets, landing pages and tracking.
The Limelight Company · 6 min read · Updated
Google Ads for photographers puts you in front of people already searching for a photographer, so it catches enquiries that are ready to book. Facebook and Instagram ads create demand by showing your work to people who weren’t looking yet. Use Google for urgent work with high intent, and Meta for visual, planned or seasonal services.
Both platforms can win you photography clients. They just work in different ways, and photographers who treat them as interchangeable usually end up disappointed. So don’t start by asking which one is better. Ask what the person on the other end is doing at the moment your ad appears.
This guide is for UK photographers. It covers when each platform fits and how to handle keywords and budgets, plus landing pages. It also shows you how to tell whether the ads are bringing in real enquiries.
On Google Search, people type in what they want. That might be a headshot photographer nearby, a newborn photographer, or an event photographer for a conference. They have a need, and they’re comparing options right now. Your ad shows up because it matches the search.
Facebook and Instagram are different. People are scrolling past their friends’ photos and videos, and your ad interrupts them. That suits a business as visual as photography, but the person wasn’t necessarily planning to book anyone. You’re creating interest instead of catching it.
| Google Ads (search) | Facebook and Instagram ads | |
|---|---|---|
| Person’s mindset | Actively looking for a photographer | Browsing, not yet looking |
| Strength | Catches ready-to-book enquiries | Shows your style to a wider local audience |
| Best for | Headshots, commercial, events, urgent bookings | Weddings, families, mini-sessions, seasonal offers |
| Main risk | Paying for clicks from the wrong searches | Attention without enquiries if the offer is vague |
Start narrow. Pair your service with your location and the type of job, such as the kind of photography you do plus the name of your town. Those searches are smaller than the generic ones, but the people behind them are much closer to booking.
Look at your search terms report often. It shows what people typed before they clicked, and you’ll nearly always find useful phrases to add and junk to exclude. Google’s explanation of how the Google Ads auction works makes clear that ad quality and landing page quality both affect where your ad appears, alongside your bid. Relevance saves you money.
There’s no honest one-size figure. Costs vary with the service and the town, and with how much competition you face, and anyone quoting a standard price is guessing. A sensible way in is to work out what a new booking is worth to you, then set a test budget you’re comfortable spending for a few weeks with no guarantee of getting it back.
Start small. Run a limited budget on a tight set of keywords or a single audience. Judge it by enquiries, because a click is not a booking, so count calls and form fills (and messages) instead. Give it time to learn as well. Google notes that Smart Bidding needs a learning phase of about seven to 14 days, and that frequent manual changes restart it. Leave it alone for the first fortnight.
Then put more money only into what works. Shift budget to the campaign that brings in enquiries and pause the others.
Send each ad to a page about the exact thing the person searched for. Not your homepage. Someone looking for a headshot photographer should land on your headshot page. A good one has:
Speed and a clear layout count for more than clever design. If your site needs rebuilding first, a website designed for photographers is a better use of money than more ad spend.
Without tracking, all you’re measuring is clicks. Google describes conversion measurement as tracking the customer actions you decide are worth something, such as a sign-up or a phone call, so you can see which keywords and ads lead to them, and which campaigns. It covers actions on your website and phone calls (including calls from ads and clicks on your number), plus offline sales you upload.
As a photographer, set up tracking for form submissions and calls, and keep a simple note of where each enquiry came from. Ask every new client how they found you and write it down. Google also says advertisers must disclose data collection and get consent where the law requires it, so make sure your cookie notice and privacy policy are in order.
Point your Meta ads at the same kind of tracked page. That way you can compare the two fairly, first on cost per enquiry and then on cost per booking.
Go with Google first if clients search urgently and with money in mind. Business headshots fit that description. So do commercial and product work. Event coverage and short-notice bookings belong here too.
Pick Facebook and Instagram first if your work is emotional and visual, and your clients plan ahead. Think weddings or newborn and family sessions. Mini-session dates and seasonal offers also do well there.
Once one platform is working, add the other. Meta can build recognition across a local audience, while Google catches people at the point they’re ready to compare. Bring them in one at a time so you know which is doing the work.
Neither one replaces a free Business Profile that’s kept up to date, sitting on sound organic foundations. Those are still the base of local visibility. Our page on advertising for photographers shows how the pieces fit together.
We plan and build, then run, Google Ads and Facebook and Instagram ads for photographers, with tracking in place so you can see where each enquiry came from. Still working out where to focus? Our overview of marketing for photographers is a good place to start. Before any work begins, we agree a clear brief with you, along with the scope and fee.
It can be, as long as you offer a service people search for, have a landing page that converts and set up tracking. Begin with a small test on a few specific keywords. Judge the results by enquiries and bookings, not clicks, before you decide whether to spend more.
Meta often suits weddings better, because couples plan ahead and respond to pictures. Some couples do search, though, so a small Google campaign on specific terms can work alongside it. Test one platform at a time and compare the cost per enquiry.
There’s no fixed figure. Work out what a booking is worth, set a test budget you can afford to spend with no guaranteed return, and run it long enough to learn something. Google suggests allowing about seven to 14 days for Smart Bidding to learn.
Track the actions that count. That means form submissions and phone calls, not just clicks. Note where every enquiry comes from and ask new clients how they found you. Once a month, look at your cost per enquiry and your cost per booking.
Yes. Ideally it’ll have a page for each service and an easy way to enquire. Sending ads to a weak or slow page burns budget. Google says landing page quality is one of the factors that decide where your ad appears.

A page-by-page checklist for UK photographers: home page, galleries, about, pricing, testimonials, booking, blog and legal pages.
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